Bread and Water - Everything So Far...

bread and water was dallas' best punk band in the opinion of many. this is their discography. female fronted raw political hardcore punk!

http://www.megaupload.com/?d=I04ARGEI

the appleseed cast - low level owl 1 & 2

hopefully this works i've had trouble making archives that worked in the past anyway...

http://www.megaupload.com/?d=RT7RO87Z

The Appleseed Cast
From Wikipedia, the free encyclopedia

The Appleseed Cast is an indie rock band based in Lawrence, Kansas and currently comprises singer/guitarist Christopher Crisci, guitarist Aaron Pillar, bassist Marc Young and drummer Aaron Coker. The band's predominantly guitar-based music has evolved in a relatively short space of time (arguably due to a combination of line-up changes and natural musical progression) from intense, heavy emo indebted to such acts as Mineral and Sunny Day Real Estate to a unique "post-rock" sound hinging on inventive, intricate drumming, subtle guitar arpeggios and impassioned vocals.

After touring Mare Vitalis, the Appleseed Cast once again entered the studio in late 2000 to begin work on what would be their most ambitious project to date. Eager to fulfill their five record deal with Deep Elm, the band embarked on a double LP, with Ed Rose once again at the helm. Low Level Owl Volume One was released on August 21, 2001 with Volume Two following on October 23.

The tracks were woven seamlessly together into album-length soundscapes, revealing a hitherto unnoticed post-rock influence. The complex vocal arrangements and enigmatic lyrics were buried in the mix underneath simple, repeated guitar riffs, swathes of keyboards and found sounds, and Baruth's inventive, intricate drum patterns. The pieces containing vocals and lyrics were connected by ambient-influenced instrumentals. The Low Level Owl albums seemed both to be a natural progression from the more song-oriented Mare Vitalis and a complete shock, the previously disparaging Pitchforkmedia website giving the project a glowing review. However, some critics were put off by the intentionally repetitive nature, not only of much of the guitar playing but also the ambient instrumental interludes.